1 00:00:04,121 --> 00:00:05,699 ANY BANKER MIGHT YIELD TO THE IMPULSE AND... 2 00:00:05,723 --> 00:00:08,674 - STEAL A BODY? - YOU STOLE A BODY? 3 00:00:08,743 --> 00:00:11,393 THERE'S A BETTER THAN EVEN CHANCE... 4 00:00:11,462 --> 00:00:13,061 OH, MY GOD! 5 00:00:13,130 --> 00:00:15,341 THIS IS THE BOTTLING SECTION OF THE WINERY. 6 00:00:15,365 --> 00:00:17,716 DO YOU THINK WE LOST HIM? 7 00:00:17,784 --> 00:00:20,469 YOU AIN'T SEEN NOTHIN' YET. 8 00:00:20,537 --> 00:00:23,204 ACAPULCO! 9 00:00:25,142 --> 00:00:27,186 I DON'T THINK THAT'S SAFE AT ALL. 10 00:00:27,210 --> 00:00:30,045 SO WE'LL LIVE DANGEROUSLY. MM-HMM. 11 00:00:30,114 --> 00:00:32,880 WATCH OUT! 12 00:00:35,419 --> 00:00:37,936 TRY THIS FOR A DEEP, DARK SECRET... 13 00:00:38,005 --> 00:00:41,706 THE GREAT DETECTIVE REMINGTON STEELE? 14 00:00:41,775 --> 00:00:43,925 HE DOESN'T EXIST. I INVENTED HIM. 15 00:00:43,994 --> 00:00:46,945 FOLLOW... I ALWAYS LOVED EXCITEMENT. 16 00:00:47,014 --> 00:00:49,214 SO I STUDIED AND APPRENTICED... 17 00:00:49,283 --> 00:00:51,433 AND PUT MY NAME ON AN OFFICE. 18 00:00:51,502 --> 00:00:54,436 BUT ABSOLUTELY NOBODY KNOCKED DOWN MY DOOR. 19 00:00:54,505 --> 00:00:58,206 A FEMALE PRIVATE INVESTIGATOR SEEMED SO... FEMININE. 20 00:00:58,275 --> 00:01:00,441 SO I INVENTED A SUPERIOR. 21 00:01:00,510 --> 00:01:03,462 A DECIDEDLY MASCULINE SUPERIOR. 22 00:01:03,530 --> 00:01:05,730 SUDDENLY, THERE WERE CASES AROUND THE BLOCK. 23 00:01:05,799 --> 00:01:08,349 IT WAS WORKING LIKE A CHARM. 24 00:01:08,418 --> 00:01:10,235 UNTIL THE DAY HE WALKED IN... 25 00:01:10,304 --> 00:01:13,588 WITH HIS BLUE EYES AND MYSTERIOUS PAST. 26 00:01:13,657 --> 00:01:15,457 AND BEFORE I KNEW IT, 27 00:01:15,526 --> 00:01:17,743 HE ASSUMED REMINGTON STEELE'S IDENTITY. 28 00:01:17,811 --> 00:01:21,463 NOW I DO THE WORK, AND HE TAKES THE BOWS. 29 00:01:21,531 --> 00:01:23,748 IT'S A DANGEROUS WAY TO LIVE, 30 00:01:23,817 --> 00:01:25,967 BUT AS LONG AS PEOPLE BUY IT, 31 00:01:26,036 --> 00:01:28,253 I CAN GET THE JOB DONE. 32 00:01:28,322 --> 00:01:31,256 WE NEVER MIX BUSINESS WITH PLEASURE. 33 00:01:31,325 --> 00:01:33,475 WELL, ALMOST NEVER. 34 00:01:34,678 --> 00:01:37,162 I DON'T EVEN KNOW HIS REAL NAME. 35 00:02:04,291 --> 00:02:06,403 LET'S GET THINGS GOING. 36 00:02:06,427 --> 00:02:08,471 WHENEVER YOU'RE READY. FIRE AWAY. 37 00:02:08,495 --> 00:02:11,163 MR. JEFFRIES, IT'S BEEN RUMORED THAT YOUR BANK IS THINKING... 38 00:02:11,231 --> 00:02:13,731 OF FINANCING AN EXPANSION FOR VANDERMEER WINERIES... 39 00:02:13,800 --> 00:02:15,801 TO THE TUNE OF $20 MILLION. 40 00:02:15,869 --> 00:02:19,204 COULD YOU COMMENT ON THAT? I THINK IT'S SAFE TO SAY THAT IF WE DO PROCEED, 41 00:02:19,272 --> 00:02:21,418 WE'LL HAVE NO DOUBT ABOUT PUTTING OUR FULL SUPPORT... 42 00:02:21,442 --> 00:02:23,559 BEHIND A PRIZE-WINNING CABERNET LIKE THIS. 43 00:02:23,627 --> 00:02:25,928 CRITICS HAVE PRAISED THIS VANDERMEER CABERNET... 44 00:02:25,996 --> 00:02:30,515 AS A "LEGGY, FULL-BODIED WINE," WITH A "MARVELOUS NOSE," 45 00:02:30,584 --> 00:02:34,519 A "RICH RUBY ROBE," AN "ALMOST TRANSCENDENTAL FINISH." 46 00:02:34,588 --> 00:02:37,856 THAT'S AN AWFUL LOT OF ADJECTIVES FOR GRAPE JUICE, WOULDN'T YOU SAY? 47 00:02:37,924 --> 00:02:40,286 I THINK THE PERSON BEST QUALIFIED... 48 00:02:40,310 --> 00:02:42,644 TO ANSWER THAT QUESTION IS THE MAN RESPONSIBLE... 49 00:02:42,713 --> 00:02:45,414 FOR CREATING THE CABERNET, MR. CLAUDE VANDERMEER. 50 00:02:45,482 --> 00:02:47,883 I'M GONNA STRETCH MY LEGS. 51 00:02:47,951 --> 00:02:50,952 WHAT REALLY MAKES THIS VINTAGE SO EXCEPTIONAL, MR. VANDERMEER? 52 00:02:51,021 --> 00:02:53,321 WELL, AS YOU REMEMBER... 53 00:02:53,390 --> 00:02:56,408 WHEN WE PRESENTED THIS CABERNET AT THE COMPETITION LAST YEAR... 54 00:03:25,222 --> 00:03:31,193 A MARVELOUS NOSE, RICH RUBY ROBE, 55 00:03:31,261 --> 00:03:35,847 AND, OH... SO LEGGY. 56 00:03:47,528 --> 00:03:49,794 GOOD MORNING, MISS WOLFE. ANY MATTERS HERE... 57 00:03:49,863 --> 00:03:52,831 OF GREAT CONSEQUENCE THAT DEMAND MY IMMEDIATE ATTENTION? 58 00:03:52,899 --> 00:03:55,567 THEY'RE BILLS, SIR. BILLS. GOOD. 59 00:03:55,636 --> 00:03:57,969 AND HE'S WAITING FOR LAURA, SO I DON'T THINK YOU... 60 00:03:58,037 --> 00:04:00,054 SHH. AH-AH. 61 00:04:01,641 --> 00:04:05,077 REMINGTON STEELE. PERHAPS I CAN BE OF SOME ASSISTANCE. 62 00:04:05,145 --> 00:04:07,479 MR. STEELE, WILL MISS HOLT BE IN SOON? 63 00:04:07,547 --> 00:04:09,531 OH, ANY MOMENT, I'M SURE, 64 00:04:09,599 --> 00:04:12,133 BUT YOU'RE WELCOME TO WAIT IN MY OFFICE, MR... 65 00:04:12,202 --> 00:04:14,486 JEFFRIES, WILSON JEFFRIES. 66 00:04:16,640 --> 00:04:19,619 THAT WOULDN'T BE A CABERNET YOU'RE WEARING BY ANY CHANCE, JEFFRIES? 67 00:04:19,643 --> 00:04:21,759 ONE OF THE BEST. 68 00:04:23,830 --> 00:04:26,631 I DON'T QUITE KNOW HOW TO SAY THIS, MR. STEELE, 69 00:04:26,700 --> 00:04:29,884 BUT I... EH? 70 00:04:29,953 --> 00:04:32,471 - I'M A BANKER. - A BANKER. 71 00:04:32,539 --> 00:04:35,757 EXECUTIVE VICE PRESIDENT OF MUTUAL GUARANTEE, 72 00:04:35,826 --> 00:04:37,826 MANAGER OF CORPORATE FINANCES. 73 00:04:37,895 --> 00:04:39,895 I... 74 00:04:41,064 --> 00:04:43,065 - HOW IS SHE? - SHE? 75 00:04:43,133 --> 00:04:46,134 - MISS HOLT. - OH, MISS HOLT. SHE'S FINE. 76 00:04:46,203 --> 00:04:48,803 BUT AS FOR YOUR BANKING... 77 00:04:48,872 --> 00:04:52,306 IT WAS MY PROPOSAL TO DIVERSIFY AND FINANCE THE WINERY. 78 00:04:52,375 --> 00:04:55,042 CORRECT ME IF I'M WRONG, BUT I DON'T BELIEVE... 79 00:04:55,111 --> 00:04:58,012 THAT BANKING IN ITSELF IS CAUSE FOR INVESTIGATION. 80 00:04:58,081 --> 00:05:02,167 UNLESS, OF COURSE... I DID IT. 81 00:05:03,203 --> 00:05:06,571 I CAN'T BELIEVE I DID, BUT I DID IT. 82 00:05:06,640 --> 00:05:08,790 YOU DID SAY MISS HOLT WAS COMING IN SOON? 83 00:05:08,858 --> 00:05:12,377 OH, YES, YES, YES. A BRIEF TRAFFIC DELAY AT WORST. 84 00:05:12,446 --> 00:05:15,780 BUT ANYONE CAN APPRECIATE YOUR DILEMMA. 85 00:05:15,849 --> 00:05:20,485 FACED WITH THE PROSPECT OF A VAST FINANCING, A BANKER, 86 00:05:20,554 --> 00:05:23,555 ANY BANKER, MIGHT YIELD TO THE IMPULSE AND... 87 00:05:23,623 --> 00:05:25,673 STEAL A BODY? 88 00:05:25,742 --> 00:05:28,110 YOU STOLE A BODY? 89 00:05:28,178 --> 00:05:30,240 GOOD MORNING. 90 00:05:30,264 --> 00:05:33,498 THAT MIGHT BE A LITTLE RASH. HOW'S THAT? 91 00:05:33,566 --> 00:05:35,567 I CAN'T FIGHT HIM ANYMORE, LAURA. 92 00:05:35,636 --> 00:05:38,169 IF HE GETS HERE BEFORE YOU DO AND GRABS HOLD OF A CLIENT, 93 00:05:38,238 --> 00:05:40,238 I WON'T BE HELD RESPONSIBLE. 94 00:05:41,975 --> 00:05:44,692 I DON'T KNOW WHAT CAME OVER ME. 95 00:05:44,761 --> 00:05:46,761 EXCUSE ME FOR BEING LATE, BUT... 96 00:05:46,830 --> 00:05:49,848 OH, MY GOD! 97 00:05:49,916 --> 00:05:53,552 THAT WAS MISS HOLT JUST NOW. WOULD YOU EXCUSE ME? 98 00:05:53,620 --> 00:05:56,437 I DON'T BELIEVE IT. 99 00:05:56,506 --> 00:05:59,708 IT'S NOT AS IF IT'S THE FIRST TIME I'VE SEEN A CLIENT BEFORE YOU DID. 100 00:05:59,776 --> 00:06:02,110 DON'T YOU THINK YOU'RE OVERREACTING JUST A TOUCH? 101 00:06:02,178 --> 00:06:04,679 WE'RE SUPPOSED TO BE PROFESSIONALS. 102 00:06:04,747 --> 00:06:07,426 WHAT ARE YOU DOING HERE? LAURA, I HAD NO IDEA THIS WAS GOING TO HAPPEN. 103 00:06:07,450 --> 00:06:09,996 HAVEN'T I HEARD THAT FROM YOU BEFORE? I TAKE IT YOU ALREADY MET. 104 00:06:10,020 --> 00:06:12,064 I HAVE TO TALK TO YOU. PRIOR CASE, NO DOUBT. 105 00:06:12,088 --> 00:06:14,433 I DON'T THINK THIS IS THE PLACE FOR THAT. FRIEND OF THE FAMILY? 106 00:06:14,457 --> 00:06:16,624 IT CAN'T WAIT. WILSON, I WORK HERE. 107 00:06:16,693 --> 00:06:19,360 A COUSIN PERHAPS? SKIING INSTRUCTOR? 108 00:06:19,429 --> 00:06:21,429 I HAD NO CHOICE. WHY? 109 00:06:21,497 --> 00:06:23,832 BECAUSE HE STOLE A BODY. YOU STOLE A BODY? 110 00:06:23,900 --> 00:06:27,268 WELL, I TOOK A BODY. I MEAN, I HAVE A BODY. 111 00:06:27,337 --> 00:06:29,804 WHAT DO YOU MEAN YOU HAVE A BODY? WE ALL HAVE A BODY. 112 00:06:29,873 --> 00:06:32,373 MINE'S IN THE TRUNK OF THE CAR. 113 00:06:33,610 --> 00:06:36,394 LOOK AT ME. MY SUIT. 114 00:06:36,463 --> 00:06:39,798 I'M FALLING APART. YOU CAN'T IMAGINE WHAT IT'S LIKE, 115 00:06:39,866 --> 00:06:42,200 LIFTING A BODY FROM A VAT OF WINE. 116 00:06:42,268 --> 00:06:44,535 I'M SURE THE BOUQUET IS OVERWHELMING. WHAT SIZE ARE YOU? 117 00:06:44,605 --> 00:06:46,938 38, REGULAR. 118 00:06:49,076 --> 00:06:51,076 YOU MEAN TO TELL ME... 119 00:06:51,144 --> 00:06:53,478 WHITE BELTS, T-SHIRTS THAT SAY... 120 00:06:53,546 --> 00:06:55,981 "BANKERS DO IT WITH INTEREST." 121 00:06:56,049 --> 00:06:58,884 YOU STILL HAVE THOSE CLOTHES OF MINE? 122 00:06:58,952 --> 00:07:02,220 YOU LIVED TOGETHER? I ASSUMED YOU HAD SOME HISTORY, BUT... 123 00:07:02,289 --> 00:07:04,539 IT'S ANCIENT HISTORY NOW. 124 00:07:12,332 --> 00:07:14,832 ALL RIGHT, WE'RE HERE. LET'S SEE IT. 125 00:07:14,901 --> 00:07:18,069 BRACE YOURSELF. IT'S NOT AN EASY THING... OPEN IT. 126 00:07:24,694 --> 00:07:28,930 OH, NO. NO. HE WAS RIGHT THERE. 127 00:07:28,999 --> 00:07:32,684 I SWEAR IT! SOMEONE MUST HAVE TAKEN HIM. 128 00:07:32,753 --> 00:07:36,755 FROM A MOVING CAR? THAT HARDLY SEEMS LIKELY. 129 00:07:40,577 --> 00:07:43,778 PERHAPS IN LIGHT OF THE PERSONAL NATURE OF THIS AFFAIR, 130 00:07:43,847 --> 00:07:46,014 WE SHOULD REFER WILSON TO ANOTHER AGENCY. 131 00:07:46,083 --> 00:07:48,583 THERE'S NOTHING PERSONAL GOING ON HERE. I AM OVER IT. 132 00:07:48,651 --> 00:07:51,619 ALL RIGHT. COMPLETELY. 133 00:07:51,688 --> 00:07:53,688 ALL RIGHT, WILSON. 134 00:07:53,757 --> 00:07:56,091 WE'RE BOTH ADULTS. BOTH PROFESSIONALS. 135 00:07:56,159 --> 00:07:58,826 IF YOU INSIST THAT THERE WAS A BODY IN THAT TRUNK, 136 00:07:58,896 --> 00:08:01,096 I THINK THE THING TO DO IS TO PROCEED... 137 00:08:01,164 --> 00:08:04,366 WITH A SERIES OF STRICTLY PROFESSIONAL QUESTIONS. 138 00:08:04,434 --> 00:08:07,602 ON THE WAY FROM THE WINERY, DID YOU STOP ANYWHERE? 139 00:08:07,670 --> 00:08:10,305 NO. 140 00:08:10,374 --> 00:08:13,375 YES. ONCE. 141 00:08:14,511 --> 00:08:16,677 I HAD TO. 142 00:08:16,746 --> 00:08:18,780 WHERE? 143 00:08:30,644 --> 00:08:35,062 AH, WINE COUNTRY. WARM, FRIENDLY, INVITING. 144 00:08:35,132 --> 00:08:37,343 CAN YOU DESCRIBE THIS BODY? 145 00:08:37,367 --> 00:08:39,767 WELL, IT WAS... HEAVY. 146 00:08:39,836 --> 00:08:42,170 I REALLY DIDN'T LOOK AT IT THAT CLOSELY. 147 00:08:42,239 --> 00:08:44,990 SLOW DOWN. I THINK THIS IS IT. 148 00:08:48,094 --> 00:08:50,094 YOU STOPPED HERE? 149 00:08:50,163 --> 00:08:53,064 WELL, THERE WAS... 150 00:08:53,133 --> 00:08:55,800 THERE WAS SO MUCH WINE AT THE PRESS CONFERENCE, 151 00:08:55,869 --> 00:08:58,369 I DIDN'T KNOW WHEN I'D FIND A GAS STATION, SO... 152 00:08:58,438 --> 00:09:01,439 YOU MEAN YOU NEEDED TO... YEAH, BY THAT TREE OVER THERE. 153 00:09:01,508 --> 00:09:04,009 AH. MAYBE IT WAS THAT TREE. I DON'T KNOW. 154 00:09:04,077 --> 00:09:06,077 IT'S SO DARK. I CAN'T TELL NOW. 155 00:09:06,146 --> 00:09:08,513 OH. BUT I WAS ONLY THERE FOR A MINUTE OR TWO. 156 00:09:08,581 --> 00:09:10,531 YOU DIDN'T HEAR OR SEE ANYTHING? 157 00:09:10,600 --> 00:09:12,617 SURE I DID. I HEARD HARCOURT... 158 00:09:12,686 --> 00:09:14,686 TEAR UP A YEAR'S WORTH OF WORK IN 10 SECONDS. 159 00:09:14,754 --> 00:09:16,754 I HEARD THE BOARD KICK ME OUT OF THE BANK. 160 00:09:16,823 --> 00:09:18,823 I HEARD MY WHOLE LIFE COMING DOWN AROUND MY EARS. 161 00:09:18,892 --> 00:09:21,726 I SAW THAT BODY IN THE VAT, AND SUDDENLY I THOUGHT TO MYSELF, 162 00:09:21,795 --> 00:09:23,878 "WHAT WOULD LAURA DO ABOUT THIS?" 163 00:09:23,947 --> 00:09:27,248 SO YOU STUFFED HIM IN THE TRUNK OF A CAR AND RAN AWAY WITH IT. 164 00:09:27,317 --> 00:09:29,437 ARE YOU TALKING ABOUT THIS LAURA HERE? 165 00:09:29,485 --> 00:09:32,821 THE LOAN IS SET TO GO THROUGH IN LESS THAN 48 HOURS. 166 00:09:32,889 --> 00:09:34,889 THERE WERE REPORTERS ALL OVER THE PLACE. 167 00:09:34,958 --> 00:09:36,958 I HAD TO DO SOMETHING! 168 00:09:37,027 --> 00:09:40,228 WELL, THERE ARE SIGNS HERE OF TRUCK TREADS, 169 00:09:40,296 --> 00:09:44,065 MAYBE SOME RUBBER BOOTS, A FEW HORSESHOE IMPRESSIONS, 170 00:09:44,134 --> 00:09:46,800 BUT IN THIS AREA NONE OF THOSE IS UNUSUAL. 171 00:09:46,869 --> 00:09:49,970 IN THAT CASE, I THINK WE SHOULD PROCEED TO THE WINERY... 172 00:09:50,040 --> 00:09:53,441 AND INSPECT THE ORIGINAL SOURCE OF, UM, THE PROBLEM. 173 00:09:56,579 --> 00:09:58,946 WHOA, ARNOLD! 174 00:09:59,015 --> 00:10:01,816 WHOA! OW. 175 00:10:03,319 --> 00:10:06,721 ARE YOU ALL RIGHT? ONCE MORE, ARNOLD, MY PET, 176 00:10:06,790 --> 00:10:09,791 ONCE MORE AND YOU'RE DOG MEAT, YOU HEAR ME? 177 00:10:09,860 --> 00:10:13,645 - IS THAT YOUR CAR THERE? - IT'S MINE. 178 00:10:13,713 --> 00:10:16,497 ARNOLD DOESN'T LIKE CARS. NEVER HAS. WHAT'S IT DOING THERE? 179 00:10:16,566 --> 00:10:18,917 WELL, WE WERE JUST ADMIRING THE VIEW. 180 00:10:18,985 --> 00:10:21,803 - WHAT VIEW? - TO STUDENTS OF NATURE LIKE OURSELVES, 181 00:10:21,871 --> 00:10:23,938 EVEN THE MOST MUNDANE SURROUNDINGS... 182 00:10:24,007 --> 00:10:26,006 CAN AFFORD A PANORAMA OF DELIGHT. 183 00:10:26,075 --> 00:10:29,093 I WANT THAT CAR OUT OF HERE IN FIVE MINUTES. 184 00:10:29,162 --> 00:10:33,147 - THIS IS A PUBLIC ROAD. - NOT WHEN IT RUNS THROUGH MY LAND, IT ISN'T. 185 00:10:33,216 --> 00:10:37,618 DON'T YOU MOVE FROM THAT SPOT, ARNOLD. YOU HEAR ME? 186 00:10:37,687 --> 00:10:39,871 WHAT AN ENGAGING ATTITUDE. 187 00:10:39,939 --> 00:10:41,939 HERS? ARNOLD'S. 188 00:10:42,008 --> 00:10:44,048 WONDERFUL WINE COUNTRY, HUH? 189 00:10:44,077 --> 00:10:46,010 WELL... 190 00:10:47,480 --> 00:10:49,464 WILSON. 191 00:10:51,584 --> 00:10:53,699 THERE ARE A NUMBER OF PRIVATE VINTNER ESTATES 192 00:10:53,723 --> 00:10:55,720 IN THE AREA, SO, WITH THE WAY YOU DRIVE... 193 00:10:55,788 --> 00:10:58,105 WHAT'S WRONG WITH HER DRIVING ANYWAY? 194 00:11:09,869 --> 00:11:12,870 WELL, YOU CERTAINLY TAUGHT THAT ROAD A LESSON IT WON'T SOON FORGET. 195 00:11:12,939 --> 00:11:14,979 NO SENSE IN DRAGGING THIS THING OUT. 196 00:11:15,007 --> 00:11:17,052 IT'S INSIDE. I'LL SHOW YOU. 197 00:11:17,076 --> 00:11:19,076 OH. 198 00:11:20,213 --> 00:11:23,247 IF YOU DON'T MIND MY ASKING, WILSON, 199 00:11:23,316 --> 00:11:26,183 WHEN YOU AND MISS HOLT WERE... 200 00:11:26,252 --> 00:11:29,954 "COHABITATING." YES. 201 00:11:30,022 --> 00:11:32,873 WAS HER DRIVING ALWAYS SO... EXUBERANT? 202 00:11:32,942 --> 00:11:35,776 IF ANYTHING, IT'S GOTTEN A LITTLE BETTER. 203 00:11:35,845 --> 00:11:37,845 BUT I'M SURE YOU KNOW HOW SHE IS. 204 00:11:37,914 --> 00:11:40,748 IMPULSIVE, UNINHIBITED, 205 00:11:40,817 --> 00:11:43,651 ABSURDLY PASSIONATE. 206 00:11:43,719 --> 00:11:46,721 IT MUST GET TRYING FOR YOU AT TIMES, KEEPING HER IN CHECK. 207 00:11:46,790 --> 00:11:50,291 OH, WELL, I DO WHAT I CAN. HMM. 208 00:11:52,128 --> 00:11:54,728 ABSURDLY PASSIONATE, EH? 209 00:11:54,797 --> 00:11:58,383 WILSON, THANK GOD! I WAS SO WORRIED WHEN YOU DISAPPEARED LAST NIGHT WITHOUT A WORD. 210 00:11:58,452 --> 00:12:01,219 SOMETHING SORT OF CAME UP SUDDENLY. 211 00:12:01,288 --> 00:12:04,938 I GUESS WAITING FOR FINAL APPROVAL ON THE LOAN HAS US ALL A BIT STRAINED. 212 00:12:05,007 --> 00:12:09,176 WELL, WILSON WAS SO EXCITED ABOUT SOMETHING IN YOUR WINE, 213 00:12:09,245 --> 00:12:12,413 HE INSISTED WE COME UP AND HAVE A LOOK. 214 00:12:12,482 --> 00:12:15,249 FORGIVE ME. CLAUDE VANDERMEER, THIS IS MISS HOLT AND... 215 00:12:15,318 --> 00:12:19,086 LINSEY-WOOLSEY. NIGEL LINSEY-WOOLSEY. 216 00:12:19,155 --> 00:12:21,195 WILSON ASKED US NOT TO SAY ANYTHING, 217 00:12:21,224 --> 00:12:24,225 BUT I'M PREPARING THE DEFINITIVE TEXT ON CALIFORNIA WINES. 218 00:12:24,294 --> 00:12:26,294 MISS HOLT IS MY ASSISTANT. 219 00:12:26,362 --> 00:12:28,362 AND IF THE REPORTS CAN BE TRUSTED, 220 00:12:28,431 --> 00:12:30,664 WE MIGHT DO A FEATURE ON YOUR CABERNET. 221 00:12:30,733 --> 00:12:32,900 MIND IF WE HAVE A LOOK AROUND? 222 00:12:32,969 --> 00:12:36,387 FOR A FEATURE WRITE-UP, I'LL GIVE YOU A GRAND TOUR. 223 00:12:37,457 --> 00:12:39,390 WILSON, YOU CLEVER DOG, YOU. 224 00:12:39,459 --> 00:12:42,293 WHEN YOU GRAB SOMETHING, YOU RUN WITH IT ALL THE WAY, DON'T YOU? 225 00:12:42,361 --> 00:12:45,045 JUST AS FAR AND AS FAST AS HE CAN. 226 00:12:47,701 --> 00:12:50,334 OF COURSE, YOU KNOW THAT WINE CONSUMPTION IN THE UNITED STATES... 227 00:12:50,403 --> 00:12:52,737 OVER THE LAST 10 YEARS HAS MORE THAN DOUBLED. 228 00:12:52,806 --> 00:12:56,207 MM-HMM, MM-HMM. THIS, OF COURSE, IS OUR BOTTLING AREA... 229 00:12:56,275 --> 00:12:59,260 WHERE THE RESULTS OF MONTHS OF HARD WORK FINALLY COME TO FRUITION. 230 00:12:59,328 --> 00:13:01,328 LAURA, FROM YOUR EXPERIENCE, 231 00:13:01,398 --> 00:13:05,132 WOULD YOU SAY WILSON SEES THINGS FROM AN UNUSUAL PERSPECTIVE? 232 00:13:05,201 --> 00:13:07,735 I DON'T KNOW ANYMORE WHAT HE SEES. WHY? 233 00:13:07,804 --> 00:13:11,439 WELL, HE CLAIMS TO TAKE A BODY FROM A VAT OF WINE, 234 00:13:11,508 --> 00:13:14,909 WHICH THEN MYSTERIOUSLY DISAPPEARS. 235 00:13:14,977 --> 00:13:18,012 YOU DON'T BELIEVE HIM? NO, NO, IT'S NOT THAT, 236 00:13:18,080 --> 00:13:21,248 BUT WITH ALL THE STRESS FROM THIS BUSINESS LOAN, 237 00:13:21,317 --> 00:13:24,118 THE MAN HE FOUND MIGHT HAVE BEEN MERELY INTOXICATED. 238 00:13:24,186 --> 00:13:27,539 BUT I SWEAT OUT EVERY INCH OF THE PROCESS, 239 00:13:27,607 --> 00:13:30,175 SO THAT I KNOW THAT WHEN I PRESS THIS BUTTON... 240 00:13:30,243 --> 00:13:34,279 ALL THE MONTHS OF CAREFUL FERMENTATION, 241 00:13:34,347 --> 00:13:37,982 THE ENDLESS CHECKING AND BLENDING AND SAMPLING... 242 00:13:38,051 --> 00:13:40,552 WILL PRODUCE THE MOST EXTRAORDINARY VINTAGE... 243 00:13:40,620 --> 00:13:43,771 WILSON'S MADE A CAREER OUT OF BEING ACCURATE AND SPECIFIC. 244 00:13:43,840 --> 00:13:45,840 IF HE SAID IT WAS A BODY, 245 00:13:45,909 --> 00:13:49,027 THERE'S A BETTER THAN EVEN CHANCE... 246 00:13:49,095 --> 00:13:51,412 WHAT THE HELL WAS THAT? 247 00:13:54,283 --> 00:13:56,850 - THE BODY. - WHAT? 248 00:13:56,919 --> 00:13:59,253 THE BODY. 249 00:14:03,176 --> 00:14:06,177 WHO... WHO IS IT? YOU DON'T RECOGNIZE HIM? 250 00:14:06,246 --> 00:14:09,480 IT'S THE SAME ONE, ALL RIGHT. YOU RECOGNIZE HIM? 251 00:14:09,549 --> 00:14:12,884 JUST FROM THE TRUNK OF MY CAR. BUT HOW DID HE GET BACK HERE? 252 00:14:12,953 --> 00:14:16,015 BACK HERE? IT APPEARS TO BE A BLOW TO THE BACK OF THE HEAD. 253 00:14:16,039 --> 00:14:18,100 ENOUGH TO MAKE HIM DROWN IN A VAT? 254 00:14:18,124 --> 00:14:20,257 THAT WOULD BE MY PROFESSIONAL OPINION. 255 00:14:20,326 --> 00:14:23,076 WHAT VAT? WHAT OPINION? SINCE WHEN DOES A WINE WRITER... 256 00:14:23,145 --> 00:14:25,145 HAVE PROFESSIONAL OPINIONS ABOUT BODIES? 257 00:14:25,214 --> 00:14:27,259 WILSON, WHAT IN GOD'S NAME IS HAPPENING HERE? 258 00:14:27,283 --> 00:14:29,784 I WOULD LIKE TO BE MORE SPECIFIC WITH YOU ABOUT THAT, 259 00:14:29,852 --> 00:14:32,853 - BUT AS FOR THE MOMENT... - JEFFRIES, YOU BACK THERE? 260 00:14:32,922 --> 00:14:35,756 OH, NO. IT'S HARCOURT. THAT MEANS WESTFIELD. 261 00:14:35,825 --> 00:14:39,110 THE WHOLE BOARD IS... I WAS EXPECTING THEM TODAY, BUT... OH, NO. 262 00:14:39,179 --> 00:14:41,896 JEFFRIES! HELP ME! 263 00:14:41,965 --> 00:14:45,132 GIVE ME AS MUCH TIME AS YOU CAN. GO ON, GO ON. 264 00:14:45,201 --> 00:14:47,201 INTRIGUING PROBLEM, EH? 265 00:14:47,270 --> 00:14:50,455 WELL, THEN, PERHAPS YOU GENTLEMEN WOULD LIKE TO START WITH SOME WINE? 266 00:14:50,523 --> 00:14:52,523 WINE? PERHAPS LATER. 267 00:14:52,592 --> 00:14:56,394 JUST NOW, WE'RE ANXIOUS TO HAVE A LOOK AT WHAT WE'RE BUYING INTO. 268 00:14:56,463 --> 00:15:00,447 WHAT'S THIS WAY? AH, THIS WAY. 269 00:15:00,516 --> 00:15:03,183 PUSH. PUSH. I'M PUSHING. THE ARM. 270 00:15:03,252 --> 00:15:06,053 OH, GOD. 271 00:15:06,122 --> 00:15:08,162 THIS IS THE BOTTLING SECTION OF THE WINERY... 272 00:15:08,208 --> 00:15:11,248 WHERE THE WINE IS PUT IN BOTTLES. 273 00:15:12,962 --> 00:15:15,363 OH. OH. 274 00:15:15,431 --> 00:15:17,398 OH. 275 00:15:17,467 --> 00:15:22,219 ALLOW ME TO INTRODUCE THE NOTED WINE AUTHOR, NIGEL WOOLLY... 276 00:15:22,288 --> 00:15:24,605 LENTIL. 277 00:15:24,674 --> 00:15:28,058 CHESTER HARCOURT. NEVER HEARD OF YOU. 278 00:15:28,127 --> 00:15:30,394 I DON'T PUBLISH THAT MUCH NOW IN THE COLONIES. 279 00:15:30,463 --> 00:15:33,614 - AND HIS ASSISTANT, MISS HOLT. - HELLO. 280 00:15:33,683 --> 00:15:36,733 BUT YOU DO SEEM FAMILIAR TO ME. 281 00:15:36,802 --> 00:15:41,388 REALLY? I CAN'T IMAGINE WHERE WE WOULD HAVE MET BEFORE. 282 00:15:41,457 --> 00:15:45,410 WELL, WE STILL HAVE A LOT TO SEE. SHALL WE? 283 00:15:45,478 --> 00:15:47,678 IF YOU'LL EXCUSE US. I'LL JUST... 284 00:15:47,747 --> 00:15:50,598 OOPS. HERE WE GO. 285 00:15:50,666 --> 00:15:54,118 EXCUSE ME, LENTIL. I'M NOT USUALLY SO CLUMSY. 286 00:15:54,186 --> 00:15:57,421 OH, YES. WELL, WE ALL MISS A STEP NOW AND THEN. 287 00:15:58,491 --> 00:16:00,825 CARRY ON, WILSON. 288 00:16:11,904 --> 00:16:14,738 THERE'S NO TELLING WHY HE TURNED UP BACK HERE. 289 00:16:14,807 --> 00:16:17,908 SABOTAGE MAYBE? LET ME GET TO THE SIDE OF IT. 290 00:16:17,978 --> 00:16:20,022 IT'S TOUGH TO KNOW WHY HE WAS KILLED... 291 00:16:20,046 --> 00:16:22,046 IF WE DON'T EVEN KNOW WHO HE IS. 292 00:16:22,115 --> 00:16:24,115 THAT'S THE TROUBLE WITH HARRY. 293 00:16:24,184 --> 00:16:26,795 WHAT MAKES YOU THINK HIS NAME WAS HARRY? PARAMOUNT. 294 00:16:26,819 --> 00:16:28,819 1955. 295 00:16:28,888 --> 00:16:30,888 HEY! JOHN FORSYTHE, SHIRLEY MacLAINE. 296 00:16:30,957 --> 00:16:33,317 THEY HAD A SIMILAR PROBLEM, KEEPING UP WITH A ROVING CORPSE. 297 00:16:33,360 --> 00:16:35,360 OH, I'M SORRY. 298 00:16:35,428 --> 00:16:37,928 SHAKE THAT ANY HARDER, YOU'LL KILL IT FOR SURE. 299 00:16:37,998 --> 00:16:40,498 AH. BUT THEN WHO SAID STUDENTS OF NATURE... 300 00:16:40,566 --> 00:16:42,566 KNEW ANYTHING ABOUT HANDLING WINE. 301 00:16:42,635 --> 00:16:45,381 AND HERE I THOUGHT YOUR FORTE WAS HORSES. 302 00:16:45,405 --> 00:16:47,445 OR HAS ARNOLD GOT HIS BACK UP AGAIN? 303 00:16:47,474 --> 00:16:49,457 WHEN YOU RUN AN ESTATE OF 12,000 ACRES, 304 00:16:49,525 --> 00:16:51,525 YOU LEARN TO BE GOOD AT LOTS OF THINGS. 305 00:16:51,594 --> 00:16:54,061 YOU MUST BE HERE FOR CLAUDE. I SHOULD'VE GUESSED THAT BEFORE. 306 00:16:54,130 --> 00:16:57,514 - AND YOU MUST BE... - ALEXIS VANDERMEER. 307 00:16:57,583 --> 00:17:01,586 - VANDERMEER? THEN YOU'RE... - HIS MOTHER? I'M AFRAID SO. 308 00:17:01,654 --> 00:17:04,355 SOMEBODY HAD TO TEACH THE POOR CREATURE HOW TO MAKE WINE. 309 00:17:04,424 --> 00:17:06,424 YOU WITH THE BANK THAT'S HOPING TO CASH IN... 310 00:17:06,493 --> 00:17:08,475 ON THAT SO-CALLED CABERNET? 311 00:17:08,544 --> 00:17:12,229 - AND WHAT IF WE ARE? - YOU'LL BE THROWING AWAY A LOT OF GOOD MONEY, THAT'S ALL. 312 00:17:12,298 --> 00:17:14,632 LAND ON THIS SIDE OF THE VALLEY'S TOO SANDY. 313 00:17:14,701 --> 00:17:18,369 ONE FREAK HARVEST OF GOOD GRAPES IS NOT GONNA CHANGE THAT. 314 00:17:18,438 --> 00:17:21,305 I WARNED HIM IT WAS JUST A MATTER OF TIME BEFORE THE SOIL GAVE OUT... 315 00:17:21,374 --> 00:17:23,374 WHEN HE INSISTED ON BUYING THIS PLACE. 316 00:17:23,443 --> 00:17:25,425 YOU CAN SEE WHAT HE THINKS OF MY OPINION. 317 00:17:25,494 --> 00:17:28,229 THEN IT'S SAFE TO ASSUME YOU DON'T WISH HIM EVERY SUCCESS. 318 00:17:28,298 --> 00:17:30,298 I BROKE MY BUTT TO BUILD SOMETHING... 319 00:17:30,366 --> 00:17:32,366 I COULD PASS ON TO CLAUDE. 320 00:17:32,435 --> 00:17:34,635 AND HE THREW IT BACK AT ME. 321 00:17:34,704 --> 00:17:37,704 WHAT WOULD YOU SUGGEST I WISH FOR NOW? 322 00:17:37,773 --> 00:17:40,291 AND I'D PUT THAT CASK INSIDE IF I WERE YOU. 323 00:17:40,360 --> 00:17:44,128 IT'LL DRAW FLIES IN THE SUN LIKE THAT. 324 00:17:44,197 --> 00:17:47,031 SHE DOES HAVE A POINT THERE. 325 00:17:52,271 --> 00:17:54,421 IT WOULD SEEM CLAUDE AND HIS MOTHER... 326 00:17:54,490 --> 00:17:57,825 HAVE A VERY THICK AND STORMY PAST. MMM. 327 00:17:59,461 --> 00:18:01,962 CAREFUL. 328 00:18:03,365 --> 00:18:06,901 MIGHT THAT APPLY ELSEWHERE, DO YOU THINK? 329 00:18:06,969 --> 00:18:09,136 IF YOU'RE REFERRING TO WILSON AND ME, 330 00:18:09,204 --> 00:18:12,439 WE WERE ONLY TOGETHER FOR A YEAR... YEAR AND A HALF. 331 00:18:12,508 --> 00:18:14,508 IT ENDED. 332 00:18:14,577 --> 00:18:17,578 BADLY? I'M SORRY. 333 00:18:17,647 --> 00:18:21,314 I'M HARDLY IN A POSITION TO QUESTION YOUR PAST. 334 00:18:21,383 --> 00:18:26,938 I JUST NEVER THOUGHT IT CONTAINED VERY MANY... SURPRISES. 335 00:18:27,006 --> 00:18:31,075 WE ALL HAVE OUR SECRETS AND OUR REASONS FOR KEEPING THEM. 336 00:18:31,143 --> 00:18:34,111 THAT IS STILL YOUR PHILOSOPHY? 337 00:18:34,180 --> 00:18:37,915 PERHAPS TO A FAULT. 338 00:18:37,984 --> 00:18:42,987 WELL, THEN, UNTIL WE'RE READY TO BREAK WITH TRADITION, 339 00:18:43,055 --> 00:18:47,057 I SUGGEST WE STAND HARRY BACK UP ON END AND CHECK IN ON... 340 00:18:56,552 --> 00:18:58,335 COME ON. 341 00:18:59,889 --> 00:19:02,689 AH. 342 00:19:10,082 --> 00:19:12,201 YOU LOSE SOMETHING, MAYBE? 343 00:19:12,225 --> 00:19:13,734 IN A MANNER OF SPEAKING, YES. 344 00:19:13,803 --> 00:19:15,790 WE'D BE HAPPY TO PAY FOR THAT FENCE. THAT 345 00:19:15,814 --> 00:19:17,972 WAS YOUR FENCE? DON'T PLAY THE FOOL WITH ME. 346 00:19:18,040 --> 00:19:21,558 I KNOW HOW VANDERMEER LOVES TO TAUNT ME WITH HIS SUCCESS. 347 00:19:21,627 --> 00:19:23,672 SO HE SENDS YOU WITH HIS PRECIOUS CABERNET... 348 00:19:23,696 --> 00:19:25,679 IN MY NOSE TO RUB IT, YES? 349 00:19:25,748 --> 00:19:27,949 BEG PARDON? CLAUDE HAD... 350 00:19:28,017 --> 00:19:31,002 I'VE BEEN GROWING MY GRAPES FOR 40 YEARS, MEINE LIEBE KINDER, 351 00:19:31,070 --> 00:19:34,238 LIKE MY FATHER AND MY GRANDFATHER ALONG THE RHINE. 352 00:19:34,307 --> 00:19:38,409 AND THAT... THAT SCHTUNK, A KNOW-NOTHING MOVES IN, 353 00:19:38,478 --> 00:19:40,978 AND IN THE SAME SOIL, UNDER THE SAME SUN, 354 00:19:41,047 --> 00:19:43,530 GROWS A CABERNET GOOD ENOUGH TO DIE FOR. 355 00:19:43,599 --> 00:19:46,834 YOU'RE NOT LOOKING FORWARD TO HIS EXPANSION, I IMAGINE. 356 00:19:46,903 --> 00:19:49,920 NATURE HAS PLAYED A CRUEL JOKE ON ME. 357 00:19:49,989 --> 00:19:52,356 BUT YOU TELL CLAUDE VANDERMEER, 358 00:19:52,425 --> 00:19:55,542 WERNER SHUMANN DOESN'T NEED HIS PRIZES OR HIS WINE. 359 00:19:58,430 --> 00:20:01,381 I DON'T SUPPOSE THERE'S AN EASIER WAY BACK UP THERE? 360 00:20:01,450 --> 00:20:04,034 YES? NO. 361 00:20:04,103 --> 00:20:06,437 WONDERFUL WINE COUNTRY. 362 00:20:06,505 --> 00:20:11,342 WONDERFUL. YOU JUST GOTTA GET TO KNOW THEM, I SUPPOSE. OH, COME ON. 363 00:20:11,411 --> 00:20:14,278 ♪ THREE NIGHTS AND DAYS WE SAILED THE SEA ♪ 364 00:20:14,346 --> 00:20:18,115 ♪ WE THINK OF HER CONSTANTLY ♪ 365 00:20:18,184 --> 00:20:23,337 ♪ AND ON... ♪ ♪ LOUIE, LOUIE WHOA, WHOA, WHOA ♪ 366 00:20:23,405 --> 00:20:26,257 ♪♪ 367 00:20:28,027 --> 00:20:30,387 IT WOULD APPEAR SOMEONE MIGHT BE USING HARRY HERE... 368 00:20:30,429 --> 00:20:32,429 TO SABOTAGE YOUR DEAL. 369 00:20:32,498 --> 00:20:35,332 HARRY? YOU FOUND OUT HIS NAME. THAT'S GREAT. 370 00:20:35,401 --> 00:20:38,402 YES. WELL, I'M AFRAID IT'S MORE ENDEARING THAN ACCURATE. 371 00:20:38,470 --> 00:20:40,470 THIS NEIGHBOR OF YOURS, WERNER... 372 00:20:40,539 --> 00:20:42,873 DO YOU THINK HE MIGHT BE RESPONSIBLE? 373 00:20:42,942 --> 00:20:44,987 WELL, HE'S NOT ONE OF MY BIGGER FANS, 374 00:20:45,011 --> 00:20:48,279 BUT I CAN'T BELIEVE HE'S CAPABLE OF KILLING ANYONE. 375 00:20:48,347 --> 00:20:50,392 MY MOTHER ON THE OTHER HAND... 376 00:20:50,416 --> 00:20:53,417 THICK AND STORMY PAST, EH? 377 00:20:53,485 --> 00:20:56,486 WHEN I WAS NINE, I SET UP A LEMONADE STAND. 378 00:20:56,555 --> 00:20:59,223 MY MOTHER TOLD ME THE KEY TO GOOD LEMONADE... 379 00:20:59,292 --> 00:21:03,276 WAS TO SCRATCH THE SUGAR AND DOUBLE THE SALT. 380 00:21:03,346 --> 00:21:05,390 AND WHEN I HAD A PAPER ROUTE, 381 00:21:05,414 --> 00:21:07,459 SHE USED TO GO THROUGH MY PAPERS EVERY DAY... 382 00:21:07,483 --> 00:21:10,083 AND TAKE OUT THE FUNNIES. 383 00:21:10,152 --> 00:21:12,486 SHE'S ALWAYS HAD THIS PROBLEM WITH ME SUCCEEDING. 384 00:21:12,555 --> 00:21:14,599 SHE KNOWS THAT THIS WINE IS MY CHANCE... 385 00:21:14,623 --> 00:21:16,668 TO FINALLY MAKE IT ON MY OWN. 386 00:21:16,692 --> 00:21:20,026 I WOULDN'T PUT ANYTHING PAST HER. 387 00:21:20,095 --> 00:21:24,431 NOT AFTER WATCHING HER DRIVE MY FATHER, ARNOLD, TO HIS GRAVE. 388 00:21:24,500 --> 00:21:28,001 YOUR FATHER'S NAME WAS ARNOLD? 389 00:21:28,070 --> 00:21:30,420 WAIT! WAIT, I'LL GET IT. 390 00:21:30,489 --> 00:21:32,690 ALL RIGHT. 391 00:21:36,812 --> 00:21:39,062 DAMN FINE BREW... 392 00:21:39,131 --> 00:21:41,399 YOU'VE GOT HERE, VANDERMEER. 393 00:21:41,467 --> 00:21:43,451 DON'T YOU THINK SO, LENTIL? 394 00:21:43,519 --> 00:21:45,536 HUH? 395 00:21:45,605 --> 00:21:47,983 OH, YES. IN A CLASS ALL BY ITSELF. YEAH. 396 00:21:48,007 --> 00:21:52,509 BUT WE'RE RUNNING JUST A LITTLE BIT LOW. 397 00:21:53,579 --> 00:21:55,779 AND THERE IT IS. 398 00:21:55,848 --> 00:21:58,015 IN HERE, BOYS. 399 00:21:58,083 --> 00:22:01,034 - FRESH SUPPLIES. - WE'LL GET YOU SOME MORE. 400 00:22:01,104 --> 00:22:04,655 I DON'T THINK THIS WOULD BE TO YOUR LIKING. IT HASN'T AGED YET. 401 00:22:04,723 --> 00:22:08,659 NONSENSE. I LOVE 'EM WHEN THEY'RE YOUNG. 402 00:22:08,727 --> 00:22:10,894 AND BOTRYTIZED? OOPS. WHAT? 403 00:22:10,963 --> 00:22:14,632 BOTRYTIS CINEREA. A FUNGUS FOUND ON CERTAIN SPECIES OF THE GRAPE. 404 00:22:14,700 --> 00:22:17,368 WE FEAR THAT THIS BARREL MAY BE TAINTED. 405 00:22:19,238 --> 00:22:22,939 YES. YOU THINK WE'VE HAD TOO MUCH, DON'T YOU? 406 00:22:23,008 --> 00:22:25,328 OH, NO. NO, NOT AT ALL. 407 00:22:25,394 --> 00:22:28,178 YEAH. 408 00:22:28,247 --> 00:22:31,248 - MR. HARCOURT. - WILSON. 409 00:22:31,317 --> 00:22:35,519 WILSON, MAYBE YOU HAVEN'T EXPLAINED THE SITUATION... 410 00:22:35,588 --> 00:22:38,488 CLEARLY TO EVERYONE. 411 00:22:38,557 --> 00:22:41,658 WE'RE THE GUYS WHO HAVE TO PUSH... 412 00:22:41,728 --> 00:22:45,062 THE FINAL BUTTON ON YOUR LOAN. 413 00:22:45,131 --> 00:22:47,325 NOW, YOU'RE NOT TRYING TO TELL ME... 414 00:22:47,349 --> 00:22:50,250 THAT A COUPLE OF SHOTS FROM THAT BARREL... 415 00:22:50,319 --> 00:22:55,338 ARE WORTH MORE THAN 20 MILLION, ARE YOU? 416 00:22:56,809 --> 00:22:58,837 OF COURSE NOT, MR. HARCOURT. 417 00:22:58,861 --> 00:23:00,906 IT'S JUST THAT CLAUDE HERE... 418 00:23:00,930 --> 00:23:04,999 WOULDN'T HAVE YOU DRINK ANYTHING LESS THAN HIS VERY BEST, RIGHT? 419 00:23:06,752 --> 00:23:10,254 WAIT A MINUTE. NOW I REMEMBER. 420 00:23:10,322 --> 00:23:12,405 YEAH, I THOUGHT YOU LOOKED FAMILIAR. WILSON! 421 00:23:12,474 --> 00:23:16,076 WILSON, ISN'T SHE... NO. NO. 422 00:23:16,145 --> 00:23:18,145 ACAPULCO! 423 00:23:18,213 --> 00:23:23,133 NO. YOU'RE THE GAL FROM ACAPULCO. 424 00:23:23,202 --> 00:23:25,914 - ACAPULCO? - YEAH, YOU BROUGHT HER DOWN TO THE CONVENTION. 425 00:23:25,938 --> 00:23:27,933 NO, IT WAS SOMEBODY ELSE. HEY, GUYS. 426 00:23:27,957 --> 00:23:30,641 IT'S HER. REMEMBER THE GAL FROM ACAPULCO? 427 00:23:30,709 --> 00:23:34,028 YOU KNOW, SHE DID THE BIG FAN DANCE ON THE BAR. 428 00:23:34,096 --> 00:23:36,096 THE BIG FAN DANCE ON THE BAR? 429 00:23:36,165 --> 00:23:39,533 THE DANCE WAS BIG, THE FANS WEREN'T. WAS IT? 430 00:23:39,601 --> 00:23:42,286 IT IS ACAPULCO. 431 00:23:42,354 --> 00:23:44,521 COME ON, BOYS. LET'S GET THE BARREL. 432 00:23:44,590 --> 00:23:47,240 ROLL OUT THE BARREL. NO, NO. 433 00:23:49,979 --> 00:23:52,524 CAREFUL. IT'S ALL OVER NOW. 434 00:23:52,548 --> 00:23:55,766 I WANT YOU TO FORGET THE NEXT FIVE MINUTES OF YOUR LIFE. WHAT? 435 00:23:57,136 --> 00:24:01,154 ALL RIGHT, BOYS. THERE'S NO SENSE IN DENYING THE PAST... 436 00:24:01,223 --> 00:24:04,391 WHILE THERE'S STILL A FUTURE TO BE LIVED, RIGHT? 437 00:24:06,345 --> 00:24:08,278 THINK ACAPULCO WAS FUN? 438 00:24:11,283 --> 00:24:13,617 YOU AIN'T SEEN NOTHIN' YET. 439 00:24:14,620 --> 00:24:16,620 MMM. 440 00:24:20,826 --> 00:24:23,276 ANYTHING YOU CATCH, YOU KEEP. 441 00:24:26,182 --> 00:24:29,199 ACAPULCO! 442 00:24:32,021 --> 00:24:33,971 LAURA! 443 00:24:38,761 --> 00:24:41,721 WHICH WAY DID SHE GO? WHICH WAY DID SHE GO? 444 00:24:44,667 --> 00:24:47,987 LAURA! PSST. PSST. 445 00:24:54,443 --> 00:24:58,178 TOUCHDOWN, ACAPULCO. 446 00:24:58,247 --> 00:25:01,014 ACAPULCO. ACAPULCO. 447 00:25:01,083 --> 00:25:03,123 HI, LOVER. 448 00:25:06,071 --> 00:25:08,071 ACAPULCO. 449 00:25:14,563 --> 00:25:17,681 OH. UM. 450 00:25:17,750 --> 00:25:21,418 OW. LAURA, I APPRECIATE YOUR-YOUR ZEAL, 451 00:25:21,487 --> 00:25:23,532 BUT WE CAN'T LET THE SITUATION GET OUT OF HAND. 452 00:25:23,556 --> 00:25:25,934 IT'S ALL RIGHT. I CAN HANDLE THEM. THERE SHE IS. 453 00:25:25,958 --> 00:25:28,609 JUST GET HARRY OUT OF HERE. OKAY. YES. 454 00:25:28,677 --> 00:25:31,211 THAT WAY. YES. 455 00:25:33,983 --> 00:25:35,983 THE BARREL. WHAT HAPPENED? 456 00:25:36,051 --> 00:25:38,218 I DON'T KNOW. SOMEBODY HIT ME FROM BEHIND. 457 00:25:38,287 --> 00:25:41,800 COULD IT HAVE BEEN ONE OF THE BANKERS? THE BOARD IS ALL BACK THERE. 458 00:25:41,824 --> 00:25:44,324 STEELE, THE BARREL. DON'T TELL ME... 459 00:25:44,393 --> 00:25:46,843 OH, NO. HERE YOU GO. COULD YOU... 460 00:25:53,452 --> 00:25:54,929 YOU DIDN'T TAKE IT. NO. 461 00:25:54,953 --> 00:25:56,465 I DIDN'T TAKE IT. NO. 462 00:25:56,489 --> 00:25:58,489 THEY DIDN'T TAKE IT. UH-HUH. 463 00:25:58,557 --> 00:26:01,737 OKAY, WHERE'D YOU PUT HIM? WHERE'D WE PUT HIM? STEELE? 464 00:26:01,761 --> 00:26:04,094 YES, IT APPEARS SOMEONE THOUGHT ALL THE EXCITEMENT... 465 00:26:04,162 --> 00:26:06,162 WAS MORE THAN HARRY COULD HANDLE. 466 00:26:06,231 --> 00:26:08,965 OH, NO! 467 00:26:11,770 --> 00:26:13,982 ARE YOU SURE YOU DIDN'T SEE WHO HIT YOU? 468 00:26:14,006 --> 00:26:16,885 ALL I REMEMBER IS HARCOURT, RUNNING IN FRONT OF ME, SHOUTING "ACAPUL..." 469 00:26:16,909 --> 00:26:20,577 YES, WE KNOW. THIS SOUNDS RIDICULOUS, BUT IS IT POSSIBLE... 470 00:26:20,646 --> 00:26:23,146 THAT I SAW A MONK IN THERE LAST NIGHT? 471 00:26:23,215 --> 00:26:26,450 A MONK? WHAT WOULD A MONK BE DOING HERE? 472 00:26:26,519 --> 00:26:29,119 THIS IS HARDLY THE PLACE FOR A... RELIGIOUS EXPERIENCE? 473 00:26:29,187 --> 00:26:32,605 WAIT A MINUTE. ISN'T THERE A MONASTERY SOMEWHERE AROUND HERE, CLAUDE? 474 00:26:32,674 --> 00:26:35,942 WELL, THERE'S THE ORDER OF ST. COSTELLO, OF COURSE, 475 00:26:36,011 --> 00:26:38,311 BUT THE MONKS HARDLY EVER LEAVE THE MONASTERY, 476 00:26:38,380 --> 00:26:40,780 AND I CAN'T IMAGINE THEM LUGGING A BODY AROUND. 477 00:26:40,849 --> 00:26:45,518 WELL, WHOEVER TOOK IT MAY ALREADY HAVE TRIED TO PLANT IT BACK HERE, 478 00:26:45,587 --> 00:26:47,988 WAITING TO LET IT DROP AT THE RIGHT MOMENT. 479 00:26:48,057 --> 00:26:51,224 HARRY'S TIMING HAS BEEN RATHER PRECISE BEFORE. 480 00:26:51,293 --> 00:26:53,660 I SUGGEST WE FIND HIM BEFORE HE FINDS US. 481 00:27:06,191 --> 00:27:08,692 I WAS JUST, UH, CHECKING IN HERE. 482 00:27:08,761 --> 00:27:10,761 ME TOO. 483 00:27:15,200 --> 00:27:18,035 ALL RIGHT, WILSON, SAY IT. 484 00:27:18,103 --> 00:27:20,481 MAYBE WE SHOULD JUST FORGET LAST NIGHT. 485 00:27:20,505 --> 00:27:22,839 WHY? BECAUSE THERE WAS WILD, CRAZY LAURA... 486 00:27:22,908 --> 00:27:25,508 MAKING A FOOL OF YOU IN FRONT OF THE WHOLE BANK? 487 00:27:25,577 --> 00:27:27,617 LAURA, I KNOW I ASKED FOR YOUR HELP. 488 00:27:27,646 --> 00:27:29,691 I JUST DIDN'T EXPECT ANYTHING LIKE THAT. 489 00:27:29,715 --> 00:27:32,499 I NEVER EXPECTED YOU TO LEAVE ME. 490 00:27:34,270 --> 00:27:36,270 IT JUST WASN'T WORKING OUT, LAURA. 491 00:27:36,338 --> 00:27:38,872 FOR WHOM? FOR EITHER OF US. 492 00:27:38,941 --> 00:27:42,776 I LIKE THINGS BEING ORGANIZED, REGULAR, PREDICTABLE. 493 00:27:42,845 --> 00:27:46,379 YOU LOVE SPONTANEITY, BEING RECKLESS, LIVING DANGEROUSLY. 494 00:27:46,448 --> 00:27:48,849 I ALSO LOVED YOU. 495 00:28:04,083 --> 00:28:06,583 YOU THINK THIS WERNER CHARACTER COULD'VE TAKEN IT? 496 00:28:06,652 --> 00:28:09,119 NONE OF US HEARD A CAR OR TRUCK LAST NIGHT. 497 00:28:09,188 --> 00:28:11,355 AND HARRY DID DISAPPEAR RATHER QUICKLY. 498 00:28:11,424 --> 00:28:14,425 YOU'RE NOT SUGGESTING THAT HE ROLLED IT ALL THE WAY DOWN HERE? 499 00:28:14,493 --> 00:28:16,493 ANYTHING'S POSSIBLE. 500 00:28:16,562 --> 00:28:18,562 IF WE'RE RIGHT ABOUT THIS TRACK, 501 00:28:18,630 --> 00:28:20,630 HARRY SHOULD BE IN HERE SOMEWHERE. 502 00:28:25,670 --> 00:28:28,321 HARRY COULD BE ANYWHERE. 503 00:28:28,390 --> 00:28:30,435 THERE MUST BE HUNDREDS OF THEM. 504 00:28:30,459 --> 00:28:33,460 MMM. IT SEEMS HARRY'S BENT ON CHALLENGING US, EH? 505 00:28:33,529 --> 00:28:36,029 WELL, I GUESS I'LL CHECK DOWN THERE. 506 00:28:36,097 --> 00:28:39,432 TELL ME IF YOU FIND ANYTHING. 507 00:28:39,501 --> 00:28:41,879 LOOK, WHAT HAPPENED BEFORE WITH WILSON... UH, UH, UH. 508 00:28:41,903 --> 00:28:43,903 YOU DON'T HAVE TO EXPLAIN, LAURA. 509 00:28:43,972 --> 00:28:45,972 HE MUST'VE MEANT A GREAT DEAL TO YOU. 510 00:28:46,041 --> 00:28:48,208 LAST NIGHT MADE THAT CLEAR ENOUGH. 511 00:28:48,277 --> 00:28:51,110 YEAH, LAST NIGHT. 512 00:28:51,180 --> 00:28:53,680 HE WAS IN TROUBLE AND, WITHOUT THOUGHT OF YOURSELF, 513 00:28:53,748 --> 00:28:55,948 YOU RUSHED TO HIS AID. 514 00:28:56,017 --> 00:29:00,537 FRANKLY, I... I RATHER ENVIED HIS PREDICAMENT. 515 00:29:02,074 --> 00:29:04,057 WERE YOU SHOCKED? 516 00:29:04,126 --> 00:29:06,893 WELL, I NEVER KNEW YOU'D BEEN TO ACAPULCO BEFORE. 517 00:29:07,980 --> 00:29:10,213 NO. 518 00:29:10,282 --> 00:29:14,884 BUT THERE WAS MORE THAN JUST HELPING WILSON IN THAT. 519 00:29:14,954 --> 00:29:16,936 THERE WAS A LOT OF ME TOO. 520 00:29:17,005 --> 00:29:19,339 YES, I SAW THAT. 521 00:29:19,408 --> 00:29:21,992 WHERE DO YOU SUPPOSE THAT LAURA'S BEEN ALL THIS TIME? 522 00:29:23,946 --> 00:29:26,146 HIDING. 523 00:29:26,214 --> 00:29:29,215 SHE ALREADY COST ME ONE RELATIONSHIP. 524 00:29:29,284 --> 00:29:31,785 I COULDN'T TAKE A CHANCE ON HER DOING IT AGAIN. 525 00:29:31,854 --> 00:29:35,105 WATCH OUT! 526 00:29:38,294 --> 00:29:41,961 LAURA? STEELE? ARE YOU ALL RIGHT? 527 00:29:42,030 --> 00:29:44,431 A FEW SPLINTERED NERVES, BUT UNHARMED. 528 00:29:44,500 --> 00:29:46,500 COME ON. 529 00:29:57,262 --> 00:29:59,779 YOU THINK WE CAN CATCH HIM? 530 00:29:59,848 --> 00:30:03,867 WELL, IF LAURA DRIVES. I'M GETTING VERY POSSESSIVE ABOUT HARRY. 531 00:30:08,240 --> 00:30:10,451 I DON'T SEE HIM ANYMORE. WE LOST HIM. 532 00:30:10,475 --> 00:30:13,476 HE MUST HAVE DISAPPEARED SOMEWHERE BACK IN HERE. 533 00:30:20,719 --> 00:30:23,920 EMPTY. DAMN! I WAS ALMOST GETTING USED TO SEEING HIM IN THERE. 534 00:30:23,989 --> 00:30:26,990 IT DOESN'T MAKE SENSE. WERNER HAS HIM AND WE DON'T. THAT'S CLEAR ENOUGH. 535 00:30:27,059 --> 00:30:29,860 WE'RE CHASING HIM. WHY WOULD HE STOP JUST TO TAKE HARRY OUT? 536 00:30:29,928 --> 00:30:31,973 PERHAPS THEY DIDN'T STOP. AND THE BARREL FELL OUT? 537 00:30:31,997 --> 00:30:34,259 THEN WHERE'S THE BODY? THAT'S THE PART THAT DOESN'T MAKE SENSE. 538 00:30:34,283 --> 00:30:36,449 HE JUST DIDN'T DUST HIMSELF OFF AND WALK AWAY. 539 00:30:36,518 --> 00:30:38,518 I WOULDN'T SELL HARRY SHORT. 540 00:30:38,587 --> 00:30:41,237 HE'S MANAGED TO GET AROUND FAIRLY WELL FOR A DEAD MAN. 541 00:30:41,306 --> 00:30:43,874 - UNLESS HE DID WALK AWAY. - TO WHERE? 542 00:30:43,942 --> 00:30:47,661 TO SOMEPLACE WHERE ROPE BELTS ARE IN FASHION? 543 00:30:47,730 --> 00:30:51,665 - ST. COSTELLO'S? - LET'S GO DOWN THERE AND HAVE A WORD WITH THOSE PEOPLE. 544 00:30:51,734 --> 00:30:53,917 I DON'T THINK THAT WOULD BE OUR WISEST CHOICE. 545 00:30:53,985 --> 00:30:56,030 PEOPLE WHO TAKE BODIES HAVE A TENDENCY... 546 00:30:56,054 --> 00:30:58,174 TO TRY TO CONCEAL THAT FACT, REMEMBER? 547 00:30:58,223 --> 00:31:02,225 OH, RIGHT. BUT WE MIGHT WANNA HAVE A LOOK AROUND ON OUR OWN. 548 00:31:02,294 --> 00:31:04,961 ANYONE HAVE ANY PLANS FOR THIS EVENING, HMM? 549 00:31:13,455 --> 00:31:16,756 GIVE ME A MOMENT TO FIND A SOFT SPOT IN THEIR DEFENSES, OKAY? 550 00:31:17,843 --> 00:31:20,827 LISTEN, LAURA, ABOUT LAST NIGHT... 551 00:31:20,895 --> 00:31:24,798 WE'VE BEEN THROUGH THIS ALREADY, WILSON. 552 00:31:24,866 --> 00:31:27,534 NO. 553 00:31:27,602 --> 00:31:30,620 SEEING YOU CUT LOOSE THE WAY YOU CAN, 554 00:31:32,458 --> 00:31:37,860 JUST MADE ME REALIZE HOW MUCH I MISS THAT IN MY LIFE NOW. 555 00:31:37,929 --> 00:31:41,431 IF IT WEREN'T FOR YOU, I'D STILL BE SETTING OUT MY CLOTHES THE NIGHT BEFORE... 556 00:31:41,500 --> 00:31:43,683 AND MAKING HOSPITAL CORNERS ON MY BED. 557 00:31:43,752 --> 00:31:45,769 YOU'VE STOPPED? MM-HMM. 558 00:31:45,838 --> 00:31:48,438 AND YOU KNOW, EVERY ONCE IN A WHILE I'LL CALL IN SICK... 559 00:31:48,506 --> 00:31:50,640 SPEND THE WHOLE DAY AT THE MOVIES. 560 00:31:50,709 --> 00:31:52,709 REALLY? MM-HMM. 561 00:31:52,777 --> 00:31:54,778 IT'S FROM YOU, LAURA. 562 00:31:54,847 --> 00:31:57,297 IT HAS TO BE. YOU AND YOUR... 563 00:31:57,366 --> 00:32:01,033 TERMINAL FLIGHTS OF FRIVOLITY. 564 00:32:01,102 --> 00:32:03,970 I GUESS YOU USED TO HEAR THAT FROM ME A LOT. 565 00:32:04,038 --> 00:32:08,742 THAT, AND HOW IMPORTANT IT WAS TO BE LEVELHEADED, 566 00:32:08,810 --> 00:32:12,945 CONSCIENTIOUS, KEEPING UP THE RIGHT SORT OF APPEARANCES. 567 00:32:14,016 --> 00:32:16,616 PRETTY DULL. I DON'T KNOW. 568 00:32:16,685 --> 00:32:20,687 I MEAN, LOOK WHAT'S HAPPENED TO ME SINCE THEN. 569 00:32:20,755 --> 00:32:23,923 I'VE REALLY THROWN MYSELF INTO MY CAREER, 570 00:32:23,992 --> 00:32:27,327 MOVED UP THE RANKS, STARTED MY OWN AGENCY. 571 00:32:27,396 --> 00:32:29,746 WHEN WAS THAT? 572 00:32:29,814 --> 00:32:33,350 OH, THAT WAS BEFORE I STARTED WORKING FOR MR. STEELE. 573 00:32:34,669 --> 00:32:37,504 I'M SORRY IF I HURT YOU, LAURA. 574 00:32:39,340 --> 00:32:42,876 I'M SORRY IT DIDN'T WORK OUT BETTER. 575 00:32:42,944 --> 00:32:44,944 BUT WE'RE JUST TOO... 576 00:32:46,298 --> 00:32:48,365 DIFFERENT? 577 00:32:50,502 --> 00:32:53,036 IT'S NICE TO KNOW IT WASN'T ALL BAD. 578 00:32:53,104 --> 00:32:56,656 NO, WASN'T ALL BAD. 579 00:33:06,702 --> 00:33:08,685 I THINK I FOUND A SPOT. 580 00:33:08,753 --> 00:33:12,121 WHAT'S EVERYONE LAUGHING ABOUT? 581 00:33:12,191 --> 00:33:14,191 PROGRESS. 582 00:33:14,259 --> 00:33:16,704 THERE'S A WALL AROUND THE SIDE THAT DOESN'T LOOK TOO DIFFICULT. 583 00:33:16,728 --> 00:33:20,330 - YOU COMING, WILSON? - I'M STILL THE VICE PRESIDENT OF A BANK. 584 00:33:20,399 --> 00:33:23,382 - I'LL STAND GUARD. - FAIR ENOUGH. 585 00:33:38,667 --> 00:33:41,468 PERHAPS IT WOULD BE BETTER IF WE DRESSED FOR THE OCCASION. 586 00:33:41,536 --> 00:33:44,871 YES. WELL, DO YOU REALLY THINK THE MEDIEVAL CUT IS CALLED FOR? 587 00:33:46,508 --> 00:33:48,508 OOPS. 588 00:33:49,945 --> 00:33:51,945 IT'S AWFULLY QUIET IN HERE. 589 00:33:52,013 --> 00:33:54,013 I'VE YET TO EVEN HEAR SOMEONE TALKING. 590 00:33:54,082 --> 00:33:56,082 IF I HAD TO WEAR ONE OF THESE ALL THE TIME, 591 00:33:56,150 --> 00:33:58,150 I WOULDN'T KNOW WHAT TO SAY EITHER. 592 00:34:42,146 --> 00:34:46,082 HELLO, HARRY. NICE TO SEE YOU AGAIN. 593 00:34:48,186 --> 00:34:50,353 AT LEAST WE KNOW WHERE HARRY IS NOW. 594 00:34:50,422 --> 00:34:52,633 AND HIS WARDROBE'S CERTAINLY TAKEN A TURN FOR THE BETTER. 595 00:34:52,657 --> 00:34:54,657 OOPS. 596 00:35:08,239 --> 00:35:10,284 DO YOU THINK HARRY'S HERE TO STAY, 597 00:35:10,308 --> 00:35:12,353 OR IS THIS MERELY ANOTHER STOP ALONG THE ROAD? 598 00:35:12,377 --> 00:35:14,377 I DON'T KNOW. 599 00:35:14,446 --> 00:35:17,948 WHAT WOULD THESE MONKS WANT WITH HIS BODY IN THE FIRST PLACE? 600 00:35:18,016 --> 00:35:21,518 YES. PERHAPS THEY'RE PLANNING ON TAKING HIM BACK TO CLAUDE'S. 601 00:35:21,587 --> 00:35:24,087 THAT WOULD MEAN THAT THEY WERE BEHIND THE SABOTAGE. 602 00:35:24,155 --> 00:35:27,991 WELL, MONKS HAVE BEEN KNOWN TO DO STRANGER THINGS. 603 00:35:28,059 --> 00:35:30,460 THINK OF RASPUTIN. 604 00:35:30,528 --> 00:35:33,680 - RASPUTIN? - YES. RASPUTIN AND THE EMPRESS. 605 00:35:33,749 --> 00:35:37,751 MGM, 1932. JOHN, LIONEL AND ETHEL BARRYMORE. 606 00:35:37,819 --> 00:35:40,153 OH, WONDERFUL STUFF. 607 00:35:40,221 --> 00:35:43,656 THE MAD MONK RASPUTIN TERRORIZES ALL OF RUSSIA. 608 00:35:43,725 --> 00:35:46,776 BUT WHY WOULD A GROUP OF MONKS WANT TO SABOTAGE A WINERY? 609 00:35:46,845 --> 00:35:50,296 BECAUSE THEY HAVE A WINERY OF THEIR OWN, HMM? 610 00:35:50,365 --> 00:35:54,718 MMM. AND A VERY GOOD VINTAGE TOO. 611 00:35:56,755 --> 00:35:59,255 MMM. IT IS GOOD. 612 00:36:01,092 --> 00:36:05,495 VERY FAMILIAR. YOU KNOW, IT MAKES ME THINK OF... WHAT? 613 00:36:06,832 --> 00:36:09,665 I DON'T THINK I SHOULD SAY. IT MIGHT SURPRISE YOU. 614 00:36:09,734 --> 00:36:12,718 CONSIDERING RECENT EVENTS, I DON'T THINK THAT'S POSSIBLE. 615 00:36:12,787 --> 00:36:17,723 DO YOU THINK THERE'S ANY DANGER IN FEELING TOO MUCH TOO SOON? 616 00:36:17,792 --> 00:36:21,961 IT ALL DEPENDS ON, UH, WHAT YOU'RE FEELING. 617 00:36:22,030 --> 00:36:23,963 SOMETHING LIKE THIS. 618 00:36:33,308 --> 00:36:35,352 I DON'T THINK THAT'S SAFE AT ALL. 619 00:36:35,376 --> 00:36:38,178 SO WE'LL LIVE DANGEROUSLY. 620 00:36:51,126 --> 00:36:53,960 THAT'S HIM! AH-AH. GOT YOU. GOT YOU. 621 00:36:54,029 --> 00:36:56,696 ICY CALM. ICY CALM. 622 00:36:58,433 --> 00:37:00,650 NO, NO. WE DON'T WANT TO HURT YOU. 623 00:37:00,719 --> 00:37:03,937 WE ONLY WANT TO TALK TO YOU. REALLY. NO? 624 00:37:06,741 --> 00:37:10,443 "THE ORDER OF ST. COSTELLO HAS TAKEN A VOW OF SILENCE. 625 00:37:10,511 --> 00:37:12,512 THANK YOU FOR UNDERSTANDING." 626 00:37:12,580 --> 00:37:14,597 A VOW OF SILENCE? OH, WONDERFUL. 627 00:37:14,665 --> 00:37:16,665 HOW ARE WE SUPPOSED TO QUESTION HIM, PRESS HIM 628 00:37:16,689 --> 00:37:18,801 FOR FACTS, ELICIT INFORMATION VITAL TO THE CASE? 629 00:37:18,870 --> 00:37:21,565 - I DON'T KNOW. - AH, THAT'S JUST A CLEVER PLOY, ISN'T IT? 630 00:37:21,589 --> 00:37:24,157 YOU KILLED HIM, DIDN'T YOU? HMM? HMM? 631 00:37:25,276 --> 00:37:27,543 US? YOU THINK WE KILLED HIM? 632 00:37:27,612 --> 00:37:30,196 THAT'S A RASH STATEMENT, IF EVER I HEARD ONE. 633 00:37:30,265 --> 00:37:33,733 WE HAD NOTHING TO DO WITH HIS DEATH. WE DON'T EVEN KNOW WHO HARRY IS. 634 00:37:35,637 --> 00:37:38,157 THE FELLOW UPSTAIRS. YOU KNOW WHO HE IS? 635 00:37:40,892 --> 00:37:41,941 HMM? 636 00:37:43,728 --> 00:37:46,541 UNFORTUNATELY, CHARADES HAS NEVER BEEN ONE OF MY STRONG POINTS. 637 00:37:46,565 --> 00:37:51,017 ALLOW ME. UH, BODY. PERSON. BODY UPSTAIRS. 638 00:37:51,086 --> 00:37:53,085 IS YOU? IS... NO. 639 00:37:53,154 --> 00:37:55,154 IS LIKE YOU? IS LIKE YOU. 640 00:37:56,641 --> 00:37:58,758 LIKE YOU. WHO COULD THAT BE? 641 00:37:58,826 --> 00:38:00,843 TRY BROTHER. 642 00:38:00,912 --> 00:38:03,896 BROTHER? BROTHER. OKAY, HIS BROTHER. 643 00:38:03,965 --> 00:38:07,317 HIS BROTHER MONKEY? MONKEY? HIS BROTHER MONKEY. MONK. 644 00:38:07,385 --> 00:38:09,469 HARRY WAS A MONK? 645 00:38:10,972 --> 00:38:13,923 HE WAS A MONK. OH. 646 00:38:13,991 --> 00:38:16,342 NO. 647 00:38:16,411 --> 00:38:18,744 TWO SYLLABLES. FIRST SYLLABLE. 648 00:38:18,813 --> 00:38:22,815 SOUNDS LIKE. SOUNDS LIKE. UH, TALK. 649 00:38:22,884 --> 00:38:27,686 - CHATTER. BABBLE. BLABBER. - BLAB. TALKS, TALKS. 650 00:38:28,840 --> 00:38:32,157 BLAB? BLAB? BL-BL-BLAB. 651 00:38:32,226 --> 00:38:37,797 BLA-BLA... BL-AB-AB-AB. AB-AB. AB? 652 00:38:37,865 --> 00:38:39,882 AB. AB. 653 00:38:39,951 --> 00:38:42,785 FIRST SYLLABLE, AB. SECOND SYLLABLE. YOU'RE DOING WONDERFUL. 654 00:38:42,854 --> 00:38:45,187 SECOND SYLLABLE. 655 00:38:45,256 --> 00:38:47,490 CIRCLE. DUST. 656 00:38:47,559 --> 00:38:49,559 BOWL. CHAMBER. 657 00:38:49,627 --> 00:38:51,627 POT. POT? POT. 658 00:38:51,696 --> 00:38:55,532 AB-POT? AB-POT. AB-BOT. ABBOT? 659 00:38:55,600 --> 00:38:57,584 ABBOT. HARRY WAS THE ABBOT? 660 00:38:57,652 --> 00:38:59,986 OOH. SHH. WELL DONE, LAURA. 661 00:39:00,055 --> 00:39:02,739 IF THAT'S THE TRUTH, THEN HARRY WAS THE ABBOT OF COSTELLO. 662 00:39:02,807 --> 00:39:06,042 SORRY. COSTELLO. SORRY. 663 00:39:06,111 --> 00:39:08,394 DO YOU KNOW WHO KILLED YOUR ABBOT OR WHY? 664 00:39:10,048 --> 00:39:14,484 OH. WELL, THAT SIMPLY LEAVES US WITH THE BODY. AGAIN. 665 00:39:14,552 --> 00:39:17,053 MAYBE THAT'S THE KEY. 666 00:39:17,122 --> 00:39:19,489 WE'VE BEEN CHASING ALL OVER TOWN AFTER HARRY. 667 00:39:19,557 --> 00:39:22,225 DON'T YOU THINK IT'S TIME HE DID A LITTLE SOMETHING FOR US? 668 00:39:22,293 --> 00:39:25,611 LAURA, I REALIZE THAT HARRY HAS BEEN A BIT ELUSIVE AT TIMES, 669 00:39:25,680 --> 00:39:28,681 EVEN UNCOOPERATIVE, BUT THE MAN'S DEAD. 670 00:39:30,001 --> 00:39:33,019 DO YOU REALLY WANNA KNOW WHO KILLED YOUR ABBOT? 671 00:39:33,088 --> 00:39:35,021 HOW BADLY? 672 00:39:48,270 --> 00:39:51,804 DAMN. ARE YOU STILL CONVINCED THIS IS A GOOD IDEA? 673 00:39:51,873 --> 00:39:54,207 WHAT MAKES YOU THINK THE KILLER WILL RETURN FOR HIM? 674 00:39:54,276 --> 00:39:57,109 HE HAS EVERY OTHER TIME. DID YOU CONTACT EVERYONE? 675 00:39:57,179 --> 00:39:59,890 YES, YES. I TIPPED A FIELD HAND TO PASS ON THE NEWS... 676 00:39:59,914 --> 00:40:02,248 OF HIS SHOCKING DISCOVERY TO ALL THE RIGHT PEOPLE. 677 00:40:02,317 --> 00:40:05,652 THEY'LL KNOW HE'S HERE. I BEST CHECK TO MAKE SURE THAT WE ARE. 678 00:40:12,810 --> 00:40:15,628 EVERYTHING IN ORDER? NO PUN INTENDED. 679 00:40:15,697 --> 00:40:18,865 GOOD. IT WAS AWFULLY GENEROUS OF YOU TO LOAN US HARRY... 680 00:40:18,933 --> 00:40:22,702 I MEAN, YOUR ABBOT, LIKE THIS. 681 00:40:22,771 --> 00:40:25,604 YES, I SUPPOSE JUSTICE IS THE POINT HERE. 682 00:40:28,342 --> 00:40:30,862 YOU KNOW WHAT TO DO WHEN THE TIME COMES. 683 00:40:32,647 --> 00:40:35,148 OH. 684 00:40:35,217 --> 00:40:38,885 YES, SOMETHING TO WARD OFF THE CHILL, EH? GOOD MAN. 685 00:40:43,441 --> 00:40:47,110 IT SHOULDN'T BE LONG NOW. HERE, HOLD THIS. 686 00:40:48,213 --> 00:40:50,313 GOOD THINKING. IT'D NEVER OCCUR TO ME... 687 00:40:50,381 --> 00:40:52,898 TO TURN SOMETHING LIKE THIS INTO A PLEASANT EXPERIENCE. 688 00:40:52,967 --> 00:40:55,418 WHAT SHALL WE DRINK TO? CATCHING THE CULPRIT? 689 00:40:55,486 --> 00:40:59,138 - HOW ABOUT HARRY? - HOW ABOUT... LAURA? 690 00:41:01,509 --> 00:41:03,509 TO LAURA. 691 00:41:07,582 --> 00:41:09,582 FUNNY THING ABOUT WINE. 692 00:41:09,650 --> 00:41:12,818 SOME YOU ENJOY WHEN THEY'RE YOUNG, IMPUDENT, BRASH. 693 00:41:12,887 --> 00:41:16,522 OTHERS MELLOW WITH AGE. AND THEN THERE ARE SOME... 694 00:41:16,591 --> 00:41:19,442 THAT NEVER LOSE THEIR MYSTERY, NO MATTER WHEN YOU FIND THEM. 695 00:41:20,779 --> 00:41:23,346 HERE'S TO... MYSTERY. 696 00:41:45,436 --> 00:41:47,186 NOW! 697 00:41:54,278 --> 00:41:58,280 SO, WERNER. JUST AS I SUSPECTED, EH? 698 00:41:58,349 --> 00:42:01,017 BITTER ABOUT CLAUDE'S SUCCESS, YOU MURDERED THE ABBOT... 699 00:42:01,086 --> 00:42:03,352 AND USED HIM TO CRUSH THE EXPANSION. 700 00:42:03,421 --> 00:42:05,465 I KILLED NO ONE! THERE'S NO SENSE IN LYING. 701 00:42:05,489 --> 00:42:07,534 WE KNOW YOU TOOK THE BODY FROM THE WINERY LAST NIGHT. 702 00:42:07,558 --> 00:42:09,558 NEIN. I STEAL A BARREL OF WINE TO TEST, 703 00:42:09,627 --> 00:42:11,627 TO ANALYZE THIS CABERNET. 704 00:42:11,696 --> 00:42:15,448 AND WHAT DO I FIND? HIM. DEAD, GOTT IM HIMMEL. 705 00:42:15,517 --> 00:42:18,351 BUT YOU TOPPLED THE BARRELS DOWN ON THEM BEFORE YOU RAN. 706 00:42:18,420 --> 00:42:20,687 I WAS FRIGHTENED. I THINK MAYBE YOU CAME... 707 00:42:20,755 --> 00:42:23,623 TO BLAME WERNER FOR THE BODY, OR KILL HIM TOO, YES? 708 00:42:23,692 --> 00:42:25,692 AH, YES, UH, COME HERE. 709 00:42:29,597 --> 00:42:33,098 YOU THINK HE'S LYING? I DON'T KNOW. WHAT HE SAYS MAKES SENSE ENOUGH, 710 00:42:33,167 --> 00:42:35,668 AND I CAN'T FIGURE WHY HE'D KILL THE ABBOT. 711 00:42:35,737 --> 00:42:38,738 YOU MEAN, IF HE WAS DESPERATE ENOUGH TO COMMIT MURDER... 712 00:42:38,807 --> 00:42:42,041 WHY NOT KILL CLAUDE HIMSELF? 713 00:43:00,111 --> 00:43:04,163 - NOW! - WHO'S THERE? 714 00:43:04,232 --> 00:43:07,111 A LITTLE LATE FOR RIDING, DON'T YOU THINK, MRS. VANDERMEER? 715 00:43:07,135 --> 00:43:09,135 JUST AS I VERY NEARLY SUSPECTED. 716 00:43:09,203 --> 00:43:11,248 ANXIOUS TO GET CLAUDE BACK UNDER YOUR THUMB, 717 00:43:11,272 --> 00:43:13,740 YOU KILLED THE ABBOT AND USED HIM TO POISON CLAUDE'S DEAL. 718 00:43:13,808 --> 00:43:17,726 - THAT'S A DAMNED LIE. - WHAT ARE YOU DOING HERE, MRS. VANDERMEER? 719 00:43:17,795 --> 00:43:21,196 ALL RIGHT! I WANTED CLAUDE'S DEAL TO FALL THROUGH. 720 00:43:21,266 --> 00:43:23,366 I THOUGHT IF IT DID HE MIGHT COME BACK TO ME. 721 00:43:23,434 --> 00:43:25,418 IS IT SO WRONG FOR A MOTHER TO WANT THAT? 722 00:43:25,486 --> 00:43:29,555 - IT IS IF SHE KILLS FOR IT. - I DIDN'T KILL ANYONE. I MOVED HIM, BUT I DIDN'T KILL HIM. 723 00:43:29,623 --> 00:43:33,959 - THEN WHERE DID YOU GET THE ABBOT? - FROM HIM. 724 00:43:34,028 --> 00:43:37,074 I WAS ON MY WAY INTO THE PRESS CONFERENCE WHEN I SAW HIM COME OUT WITH IT. 725 00:43:37,098 --> 00:43:39,143 I FOLLOWED HIM THROUGH THE WOODS ON ARNOLD, 726 00:43:39,167 --> 00:43:42,279 AND WHEN HE STOPPED, I PULLED IT OUT OF THE TRUNK AND PUT IT BACK IN THE WINERY. 727 00:43:42,303 --> 00:43:44,504 THEN I CAME BY THE NEXT DAY TO WATCH THE FIREWORKS. 728 00:43:44,572 --> 00:43:46,772 THAT WAS THE LAST I SAW OF IT UNTIL NOW. 729 00:43:46,841 --> 00:43:49,525 YES. EXCUSE US, WILL YOU, PLEASE? 730 00:43:51,196 --> 00:43:53,196 WELL? 731 00:43:53,264 --> 00:43:55,642 IT ALL TRACKS. WHAT DO YOU MEAN, IT ALL TRACKS? 732 00:43:55,666 --> 00:43:59,168 THIS PLAN WAS SUPPOSED TO ISOLATE THE KILLER, REMEMBER? LOOK. 733 00:44:01,206 --> 00:44:03,750 WE GOT HARRY BACK FROM THE MONKS. MM-HMM. 734 00:44:03,774 --> 00:44:06,275 THE MONKS GOT IT FROM WERNER. WERNER GOT IT FROM US. 735 00:44:06,344 --> 00:44:08,388 WE GOT IT FROM WHERE THE MOTHER HID IT. 736 00:44:08,412 --> 00:44:11,413 THE MOTHER GOT IT FROM WILSON. SO, HARRY MAKES FRIENDS EASILY. NOW WHAT? 737 00:44:11,482 --> 00:44:13,922 WE STILL DON'T KNOW HOW IT GOT INTO THE VAT... 738 00:44:13,952 --> 00:44:16,618 OR WHY SOMEONE WOULD KILL THE ABBOT IN THE FIRST PLACE. 739 00:44:16,687 --> 00:44:18,787 OH. 740 00:44:18,857 --> 00:44:21,202 SHH. WE DRAW ANY MORE OF A CROWD UP HERE, 741 00:44:21,226 --> 00:44:23,226 WE'LL HAVE TO THROW A DINNER PARTY. 742 00:44:27,031 --> 00:44:29,264 WHAT'S HAPPENING, STEELE? JUST PASS THE WINE... 743 00:44:29,333 --> 00:44:31,693 AND PRAY THAT HARRY DIDN'T COME FROM A LARGE FAMILY. 744 00:44:36,040 --> 00:44:38,674 NOW! 745 00:44:38,743 --> 00:44:41,560 COME HERE. GOT YOU. 746 00:44:41,629 --> 00:44:44,080 CLAUDE! 747 00:44:44,149 --> 00:44:48,200 JUST AS I... NO, I NEVER SUSPECTED HIM AT ALL. 748 00:44:48,269 --> 00:44:51,320 LET HIM GO. MOTHER. WERNER. WHAT ARE YOU DOING HERE? 749 00:44:51,389 --> 00:44:53,723 THE QUESTION IS WHAT ARE YOU DOING HERE? 750 00:44:53,791 --> 00:44:56,575 - AND WEARING THE ABBOT'S ROBES? - I DON'T HAVE TO ANSWER THAT. 751 00:44:56,644 --> 00:45:00,679 YOU KILLED THE ABBOT AND PUT HIS BODY IN THE VAT TO SABOTAGE YOUR OWN EXPANSION, EH? 752 00:45:00,748 --> 00:45:05,601 - THAT DOESN'T MAKE SENSE. - THAT'S NOT ALWAYS THE DECIDING FACTOR IN THESE CASES. 753 00:45:05,670 --> 00:45:09,087 BUT WHY WOULD HE WANNA SABOTAGE A CHANCE TO EXPAND ON HIS OWN CABERNET? 754 00:45:09,156 --> 00:45:12,085 - THAT'S NOT HIS WINE. IT'S HIS WINE. - WHAT DID YOU SAY? 755 00:45:12,109 --> 00:45:15,994 I SAID THAT'S NOT HIS WINE, IT'S... IT'S HIS WINE. 756 00:45:18,333 --> 00:45:20,399 HMM. I'VE DONE IT AGAIN, HAVEN'T I? 757 00:45:20,468 --> 00:45:23,619 - YES, MR. STEELE, YOU HAVE. - I TOLD YOU, WILSON. 758 00:45:24,939 --> 00:45:27,623 THERE WASN'T GOING TO BE ANY EXPANSION, WAS THERE? 759 00:45:27,691 --> 00:45:30,026 BECAUSE THAT PRIZE-WINNING CABERNET WASN'T YOURS. 760 00:45:30,094 --> 00:45:32,094 IT WAS REALLY MADE BY THE MONKS. 761 00:45:32,163 --> 00:45:35,197 YOUR LAND WASN'T GOOD ENOUGH FOR THOSE GRAPES. WERNER KNEW THAT. 762 00:45:36,601 --> 00:45:38,935 I STARTED BUYING WINE FROM THE ABBOT A FEW YEARS AGO, 763 00:45:39,003 --> 00:45:41,003 JUST A LITTLE AT FIRST. 764 00:45:41,072 --> 00:45:43,740 LAST SEASON AT THE COMPETITION, I ENTERED SOME UNDER MY OWN LABEL. 765 00:45:43,808 --> 00:45:46,142 I DIDN'T KNOW IT WAS GONNA TAKE FIRST PRIZE. 766 00:45:46,211 --> 00:45:48,838 YOU TRIED TO CONVINCE THE ABBOT TO GO ALONG WITH YOUR EXPANSION. 767 00:45:48,862 --> 00:45:51,047 BUT WHEN HE FOUND OUT WHAT YOU'D BEEN UP TO... 768 00:45:51,115 --> 00:45:52,926 HE THREATENED TO EXPOSE THE WHOLE THING. 769 00:45:52,950 --> 00:45:55,534 SO YOU KILLED THE ABBOT AND HID HIS BODY IN THE VAT, EH? 770 00:45:55,603 --> 00:45:57,540 IF WILSON HADN'T STUMBLED INTO IT AND TAKEN 771 00:45:57,564 --> 00:45:59,571 HIM, I WOULD'VE BURIED HIM LATER THAT NIGHT. 772 00:45:59,640 --> 00:46:02,358 SPEAKING OF WHICH, UM... 773 00:46:02,427 --> 00:46:04,410 YOU THINK WE SHOULD, UM... 774 00:46:10,568 --> 00:46:13,235 SO LONG, HARRY. PEACE, HARRY. 775 00:46:13,304 --> 00:46:16,805 THE RUNNING'S OVER, OLD BOY. GET A GOOD REST. 776 00:46:29,320 --> 00:46:32,655 LAURA, I REALLY WANT TO THANK YOU FOR EVERYTHING. 777 00:46:32,723 --> 00:46:35,057 YOU FOUND HARRY. IF IT WEREN'T FOR YOU, 778 00:46:35,126 --> 00:46:38,127 CLAUDE WOULD'VE RUN AWAY WITH THE MONEY FROM THE FINANCING. 779 00:46:38,196 --> 00:46:40,908 YOU'RE A HERO, WILSON. 780 00:46:40,932 --> 00:46:43,266 HARCOURT AND THE BOARD SEEM TO THINK SO. 781 00:46:43,334 --> 00:46:45,362 THEY'VE GIVEN ME ANOTHER PROMOTION. OH. 782 00:46:45,386 --> 00:46:48,387 SAVE THEM ENOUGH MONEY AND THEY HAVE TO. 783 00:46:48,455 --> 00:46:50,689 LOOK, SOMETIME WHEN I'M IN TOWN, 784 00:46:50,758 --> 00:46:52,758 I'D LIKE TO GIVE YOU A CALL AND... 785 00:46:52,826 --> 00:46:56,862 AND WE'LL HAVE DINNER. I'D LIKE THAT. 786 00:47:00,334 --> 00:47:03,669 OH, ABOUT THIS BOSS OF YOURS... STEELE. 787 00:47:03,738 --> 00:47:06,405 HE'S A NICE GUY, BUT A LITTLE RESERVED. 788 00:47:06,474 --> 00:47:08,474 UH-HUH. 789 00:47:08,543 --> 00:47:11,611 SEE IF YOU CAN LOOSEN HIM UP A LITTLE. A LITTLE. 790 00:47:14,398 --> 00:47:16,398 I'LL TRY. 791 00:47:28,112 --> 00:47:31,780 LAURA, I'VE BEEN THINKING ABOUT THIS FAN DANCE YOU DID IN ACAPULCO. 792 00:47:31,849 --> 00:47:38,020 AH. I MEAN, JUST HOW... "FANNY" WAS IT? 793 00:47:40,158 --> 00:47:42,202 YOU REALLY WANNA SEE IT, DON'T YOU? 794 00:47:42,226 --> 00:47:45,227 WELL, BEING A CONNOISSEUR OF EXOTIC DANCING, 795 00:47:45,296 --> 00:47:49,631 I ALWAYS LIKE TO EXPLORE NEW FORMS. UH-HUH. 796 00:47:49,700 --> 00:47:51,867 MAYBE SOMEDAY. AH, I SEE. 797 00:47:51,936 --> 00:47:55,371 MM-HMM. EVERYTHING IN ITS OWN TIME AND PLACE, I SUPPOSE. 798 00:47:55,440 --> 00:47:58,774 WELL, NOT EVERYTHING.